Word in Defense

The science of cheiromancy has oft been the ill-reputed recipient of skepticism, scorn, and disdain. It is true, that this practice at one time fell from the favor of the general populace...into the grubbing hands of charlatans and "quacks", and many would argue that it has not yet left this seat. Yet are there not other, well-greeted sciences who are plagued with their share of chicanery? Yet those who are beguiled and led astray by these villains seem few and scattered, simply because the pretense under which they were deceived was more "credible". There are a great many prejudices abounding in this world, and a great precedent has most unfortunately descended upon this notable science. It is the solemn intent of this defense to put the reader at rest concerning the dubious issues of cheiromancy, and to open his mind to a fascinating and powerful science whose tenets are no less shaky than other sciences; its only want being a relatively small corpus of research upon which to build itself.

The science of cheiromancy predates Christianity itself, and yet it is ostracized. The esteemed scientists, philosophers, and cornerstones of thought such as Aristotle, Pliny, Paracelsus, Anaxagoras, Hispanus, Cardamis, Albertus Magnus, and Emperor Augustus all sanctioned this fascinating discipline, yet it is dismissed with but a cursory glance. The bible itself speaks of the portentous markings in one's hand, as in the book of Job: "God placed signs or seals in the hands of men, that all men might know their works, and there is always the timeless knowledge that Deus et natura nihil efficiunt frustra (God and nature make nothing in vain). Alas, the fickleness of religion was marked once again, and the winds changed for cheiromancy as it was disowned and left to those sly and base individuals who would profane its untarnished record with crimes of greed. To this, Cheiro offers wry remark: "the history of any dominant religion is the history of the opposition to knowledge, unless that knowledge proceeds from its teachings. And so this knowledge was left to wallow in the perfidious hands of its newfound caretakers.

The Hindus, the Greeks, the Christians, and many other learned cultures embraced this science--could it have been all for naught? Why the fascination with a discipline now deemed little more than curious in the eyes of contemporary society? They were fascinated with life, humanity, and self-discovery. They sought knowledge of themselves, for

He who veined the leaves of trees and plants so that the skilled botanist could read their story from the lines in the leaves, has so lined the human palm that the scientist can with equal facility read therein the story of human life.

And what more reasonable a map than that which is laid out in the hand? Consider that the hand is one of the most important components of the body. It cannot perform a single action without the brain(8), and there are more nerves from the brain to the hand than to any other portion of the body. Those who are dumb or are otherwise unable to enunciate effectively use sign language; for the latter it is easier to communicate via these hands, these messengers of the mind. We write with them, touch with them, and touch others--is not one caress more soothing than a thousand words of reason? These civilizations had good reason to study mankind through the hands--their shape, their texture, and the lines within them--and what a noble cause this was!

However, this is the age wherein the advances of man may clash with religion, and religion be not sufficient comfort for the intellect. And so, the defense dedicates the remainder of its argument upon the sound and just principles of the scientific method.

During the scourge of the bubonic plague, many patients in Italy were treated in hospitals in which the doctors wore waxen robes in attempt to stave off infection from themselves. Their methods of treatment were often ill-informed and even superstitious, but it was considered standard practice at the time. One doctor, chagrined with the state of affairs, remarked that the robes they wore seemed to help little, and only served to protect its wearer from the infestation of fleas rampant in the hospital. How close he was to discovering the cause of this epidemic, yet how peculiar, and consequently unnoticed, were his observations!

"Yet specialization confines man to a very narrow line of thought. If man could only keep a more broad, charitable perspective towards science, he would discover a great many more things indeed. How is it that cheiromancy is so easily discredited when there is no field in accepted science that studies the hands? There are podiatrists, oncologists, obstetricians, and doctors who specialize in the hygiene of the scalp, yet there are no official "cheirologists?" Have you ever known one to dedicate themselves to exclusive study in that especial field? And yet, those who have not given any thought to the science dismiss it, and are quick to discredit those who have spent far more time in its study. In order to diagnose a patient, doctors must first examine the symptoms of the patient. Yet a palmist knows none of this beforehand, so he is "declared a charlatan at the slightest misstep!

Science terms the lines upon our palm as "flexure creases", as folds in the flesh that appear where the joints in the hand would create them. However, "this contention is easily refuted, by an inspection of the hands--your own for instance--which will disclose lines in positions utterly at variance with so puerile a contention. Furthermore, this definition does not explain the partial alignment or the rapid appearance and fading on the hands. As one can see, medical science does not possess as firm a grip as its momentum as a credible science would lead one to believe. And yet, assertions rising from Cheiromancy are quickly put to rest. "It is because Cheiromancy is fanciful and inconsistent." This is rubbish, for there are just as many factions within medical science: homeopathic, allopathic, even chiropractic medicine, all claiming dissimilar explanations and treatments for the same phenomenon. Who is to say which explanation is the best? And how many possess the amount of knowledge that would allow them to decide with confidence? Cheiromancy is a science just as any other, for it adheres to the definition laid out by Dugald Stewart:

All philosophical inquiry, and all that practical knowledge which guides our conduct in life, presupposes such an established order in the succession of events as enables us to form conjectures concerning the future from the observation of the past.

Cheiromancy is no arbitrary system; it has laid its principles upon a foundation of empirical evidence and shrewd observation. There may be inaccuracies, but as a progressive science is is entitled to err on occasion, just as any other science may have a disproven hypothesis. We should not fear the occasional setback, however. "There are hundreds of mysteries, even in the simple things of life, that the finite mind cannot fathom, but we cannot afford to discard them because we do not know their cause. This is the unknown, the event horizon of knowledge, and Cheiromancy mans the helm of its own vessel right alongside the more commonly recognized bastions of science. It should be thought of no less for its obscurity, for "If any science, art, or work has for its beginning, its object, and its end the improvement of humanity and the advancement of the race, then that work, art, or science deserves the encouragement and recognition that is its due.

 

A Basic Overview of the Palm

The following presentation is meant to guide the reader in interpreting the lines and markings of the hand though a generalized, deductive approach. Though some texts provide examples of configurations of the hand for rote memorization, this author prefers to establish a generalized framework by which the intelligent cheiromancer may discern for themselves what the import of a specific set of markings mean, for there are far too many combinations of features of the hand for it to be worthwhile to memorize.

This overview is further divided into four sections:

• Divisions of the Palm
• Texture and Composition of the Hand
• The Colors of the Lines and Flesh
• Qualities of the Lines

 

Divisions of the Palm

The palm is divided into four sections, as indicated in the diagram to the left. These quadrants are divided by two lines. The line which divides the hand between inward perspective and outward perspective is roughly defined by the Line of Fate, though should this line be aberrant in any respect, it is the vertical line that would pass straight through the finger above the mount of Saturn. The line which separates the ideal from the material is more strictly defined as the division created by the Line of Head.

A further explanation is warranted, and will begin with the division between inward and outward perspective.

An individual is often torn between two worlds--what he believes and how he expresses these beliefs, the difference between these two being known as cognitive dissonance. An individual may feel something very strongly, but may act upon them differently with others, perhaps to make themselves a martyr, perhaps to promote social harmony, or perhaps because they are willing to sacrifice some ideals for a greater good. A good example of this can be seen in the Mounts of Mars. The Mount of Lower Mars represents an individual's outward aggression, and lies in the demesne of outward perspective. Contained in the inward realm, however, is the Mount of Upper Mars, which signifies how stubborn an individual is with their beliefs. Both mounts relate to the same belief, but approach this belief from two different sides: The outward expresses this belief to others, while the inward is a true reflection of the individual's passions and thought processes.

The other division is how and to what extent an individual interacts with the material world versus the ideal world.

The optimal place to commence in this explanation is in the Line of Head itself. A steep, sloping Line of Head betokens a very creative, idealistic individual. The reason for this is not necessarily to be found in the slope, but the amount of area it allocates for the upper, ideal portion of the hand. An observer may well notice that a steep Line will devote much more space to matters of the mind, and consequently decrease space devoted to material concerns. And these material concerns are as what one may expect: money, food, spirits, athleticism, and other such things as take on a physical existence. This is where we find the Line of Life and the Line of Health, both of which deal with the physical constitution of the body. One who lives in a material world may be obese as a lover of food, or vainly opulent, indulging in luxuries and possessions. They operate well in matters of the world, for their drive to assume ever more possessions sparks many an entrepreneurial venture.

On the other side of this division lies those interested with ideas, such as scientists, spiritualists, artists, and priests. For them the collection of physical possessions is not nearly as important as the collection of ideas and feelings. It is in this realm that both the Line of Head and the Line of Heart exist, for one deals with ideas, the other with passions, both of which are utterly intangible. These individuals invent and inspire, but their intellectual dynamism is a powerful front for their frail, idealistic natures. As this is exclusively connected with the Line of Head, it is not surprising that a very steep Line may sometimes portend a tendency to suicide, as harsh reality suffocates so many of the beautiful ideals one may conceive of.

Of course, the previous cases are simply extremes. Most individuals find themselves at a comfortable balance between the ideal and material, the inward and the outward. But the reader should always bear these divisions in mind when interpreting both mounts and lines, for they will prove to be extremely useful landmarks in both interpreting and remembering the science of cheiromancy.

Texture and Composition of the Hand

How firm or soft a hand is may temper the entire reading. The following are the different types of textures the reader may encounter whilst practicing cheiromancy:

• Smooth hands--For one to possess smooth hands betokens a very calm and unruffled temperament. These individuals will rarely lose their temper.
• Rough hands--To possess rough hands denotes the opposite. Their temper is uneven and easy to rouse. Such individuals usually are more coarse and earthy, and are more fascinated with the concrete than abstract ideas.
• Lined hands, that is, hands that are networked with a large amount of fine lines, reveal a person who is fretful, worrisome, and easily vexed.
• Soft hands--To possess soft hands betokens sloth. Though an individual may possess brilliant markings designing great talent, if the hand be soft, they will find motivation difficult, and perseverance even moreso. These hands have a tendency for sensuality.
• Firm hands--Firm hands denote a great deal of energy and drive; an active nature. Those with firm hands will start many projects, often simultaneously, and possess the energy and followthrough to see them to their end.
• Hard hands--If the hands be hard but not springy, and instead bony and tough, the individual lacks energy and enthusiasm. This lacking differs from soft, fleshy hands, however: in the case of soft hands, the individual possesses the energy, but it goes to waste through laziness; in hard hands, there is no energy to begin with. It means a dispassionate, selfish, and potentially pessimistic nature.

Naturally, a hand may possess a combination of the above qualities, for it is possible to have a soft, smooth hand or a hard rough hand.

The Colors of the Lines and Flesh

The various colors the reader may encounter importune the same for hands and lines alike.

• Red indicates a great robustness. A red hand will be passionate, quick-tempered, and ardent. This extreme vivaciousness, however, may end in apoplexy. A red line will indicate much of the same, but it will be modified by the function of the line, i.e. a red line of life will indicate a vigorous, robust health coupled with an active nature, while a red line of heart will denote overflowing and heartfelt emotion.
• Yellow is the mark of the melancholy and morose.
• Pink denotes a hopeful, sanguine, enthusiastic, and bright nature. One may consider it to be a less extreme manifestation of a red hand or line. This is the optimal color for any line in a healthy, well-adjusted person.
• White denotes a lack of interest in the outside world and those with whom the bearer may associate. White hands are egotistical, consequenting in selfishness and a lack of sympathy for others. It is also a symbol for general ill-health and weakness.
• A dark or black line denotes a trait of a person as grave, haughty, distant, and vengeful.

Qualities of the Lines

When diagnosing the import of a line, color, length, and direction are not enough. Often the manner in which the line is etched into the palm will indicate its overall power.

• A deeply-cut line strengthens the influence of the line over other traits. The deepest line on a palm signifies the most important aspect of their life, i.e. a deeply-cut Line of Heart would designate an emotional, passionate person, while a deep Line of Head would betray an individual enamored with ideas and the intellect.
• A thin line indicates the opposite, as would be expected. A thin line will have little influence over the bearer's life, just as a thin Line of Fate would show little direction in life and a thin Line of Life would show weakness of constitution.
• A broad, shallow line is also a sign of weakness, but typically due to physical factors, either congenital or incidental.
• All of the above lines preclude the normal line, which is straight, firm, light pink in hue, and clearly marked on the palm.
• Apart from the primary and secondary lines, there may be lines of chance and influence that rise and fall. One may discern whether a line is rising or falling by the varying thickness of a line. The thicker end of the line marks the point at which it gives rise, and the waning end marks its terminus.(78)

The meaning of the left and right hands.

As many newcomers to cheiromancy are apt to ask, "which hand should be consulted when reading the palm?" It is unanimous that both palms need to be considered. One is the hand with which the bearer was born, indicating the potential of the subject. The other is a glimpse into the future livelihood of the individual, revealing how their potential shall be harnessed or squandered, how they shall avoid the perils marked on the hand of the past, and how they shall create new ones for themselves.

Though the cheiromancers agree on the importance of both hands, there are disparate views of what the right and left hands mean. There are some who contend that the right hand predicts the future, the left a past history. Others claim that it is the hand which is used the most frequently by the individual that foretells the future, while the more neglected hand is the marked by the past. One author claimed that it was the right hand that portended the future on men, whilst the left did so on women! However, if the reader give the same thought this author did upon the subject, it should become quite clear which perspective to elect.

The hand of the past is the hand one is born with, the hand that from the first day reveals the aptitudes, constitution, temperament, and talents of the bearer. If this truly be the hand one was born with, should its imprint not be crystallized in time for later comparison?

But comparison with what? The hand of the future, that which has seen the action, the life, and the changes of the individual that has caused it to differ with the hand of the past. This hand that has seen the industry of life has changed due to its activity. As the bearer uses their hands, they will favor one over the other, and this hand will see more activity than the other. "Depending on the way you hold you hands, certain mounts may be more developed," and so too for the lines and overall composition of the hand. Thus, would it not stand to reason that this frequently used hand, in its activity, has erased some lines that the individual was born with, and created others? At both times of business and leisure, they will be altering the very shape of their more frequently-used hand, while the neglected hand will experience little change.

Thus, in right-handed individuals, the right hand reveals the future, while the left hand the past; it is just the opposite for those who have merited the distinction of being left-handed. One may inquire further as to which hand should be consulted in the case of ambidexterity. This is a difficult matter, for if the individual is truly ambidextrous, it will be uncertain as to whether either hand has preserved the past. As a general rule of thumb, seek the hand that is used to write as the active hand. Careful interrogation may also give insight to a slight bias to a particular hand. Use caution, however, when remarking on great changes they have made in life, for the contrast is not as pronounced in the ambidextrous.

Table of Namesakes

 

Throughout the centuries, the markings and features of the palm have established a considerable repertoire of pseudonyms, the most common of which are displayed below. Some names are fairly interchangeable, while some are clearly outdated and potentially confusing, such as the archaic reference to the heart line as the "mensal" line. Though the author will endeavor to use only the primary name of each feature, this table will prepare you for the various alternate referents one may use.

 

Below are depicted the mounts of Venus, Jupiter, Saturn, Apollo (or mount of the sun), Mercury, Luna (or mount of the moon), the plain of mars, and the two mounts of Mars. Also shown is the mount of Pluto, whose long-standing origin is dubious.

he mount of Venus carries with it attributes of vivacity, robust energy, sympathy, generosity, an affectation for music, and "kindred social virtues which attract the opposite sex." If the mount be well-developed, the bearer possesses a healthy digestion, physical vitality, and a convivial and empathetic manner. Should there be no ill marks on the hand to impugn the power of this mount, the bearer will always have a plentitude of friends.

An overdeveloped mount carries with it an unhealthy and over-exercised desire for sensual activities, be they of eating, drinking, or venereal congress. A greatly swollen mount of Venus that is red in hue is a very bad sign, as the bearer will be consumed with a violent passion for the opposite sex. This is modified, however, by the location of the overdevelopment. If it be puffy near the thumb, the individual is ruled by emotions; when located lower down on the mount, the bearer is self-indulgent and egocentric in their pursuits. Naturally, both attributes will be present if both areas are puffy.

If underdeveloped, the mount tells of a lack of energy, a poor resistance to disease, and dark pessimism. Though the bearer of such a mount is capable of love, it will manifest itself mentally rather than physically. If the mount isn't necessarily flat but narrow, the owner demonstrates a cautious nature.

Marks:

• Horizontal lines on the mount that cross the line of life are lines of influence that typically weaken the mount, and will be covered under the said line.
• Vertical lines, in moderation, add vigor to and foritfy the mount. Two or three lines may bring out the most stellar qualities of the mount, or make up for excesses or deficiencies in overdeveloped and underdeveloped mounts, respectively. Any markings exceeding this quantity, however, will once again exacerbate the evil qualities of the mount.
• A grid on the mount represents a cancellation of the positive aspects of the vertical versus the negative aspects of the horizontal lines.
• A cross on the mount of Venus is particularly negative, and denotes an insatiable and violent passion for the opposite sex if on an overdeveloped mount. There is one exception to this rule, however: if the cross be very large and distinct, it represents an only love, typically of a tragic nature.
• A star portends the death of a friend or relative.
• Though a square typically is a symbol of preservation, when it is lower down and close to the line of life on the mount of Venus it overextends itself in meaning, as it is a symbol of incarceration, hermitude or life in a convent. If it is not in that position, it is a benevolent sign of protection and cancellation of the poor qualities of the mount.
• A spot serves to besmirch the good qualities of the mark with disease related to carnal embrace. If the spot be very dark, it is most likely a venereal disease. A lighter spot may very well relate to some brain fever or ulcerous malady brought upon by tragedy in a love affair.
• A circle on the mount betokens chronic ill-health.

The mount of Jupiter denotes ambition, pride, enthusiasm in anything attempted, and a desire for power(64). Those who bear a well-developed mount will promote themselves through industry and honesty, and possess a strong sense of religion: "a sense that power should be spiritual as well as worldly." The reader may find this confusing, as both the mount of Luna and the mount of Saturn relate to religion. The defining characteristics of this differ, however, in that one with a well-developed mount of Jupiter carries with them a love of ceremony and display, and thus it is the procedure and the recognition of religion which enchants them. With favorable marks, it denotes a well-developed leadership ability rather than raw pushiness that an otherwise unrefined mark would carry. Finally, it represents activism, be it in political, social, or interpersonal causes. This mount's role plays an important part in determining the idealism of an individual, and is especially important in conjunction with the line of the heart.

If overdeveloped, the individual becomes bossy and pushy, pompous and vain. Greed and extravagance are also exhibited. The individual enjoys wielding power for egocentric ends. This individual will find it difficult to make and keep rewarding friendships, as their ego will often countermand the truly generous and attractive traits necessary for perpetuating the friendships. Instead, the friends of such an ambitious person will often find themselves as mere tools of their ambition, and if the bearer lack positive markings on the mount or a well-developed mount of Mercury, this reality will be glaring indeed for his friends, for the bearer has not even the tact to attempt to conceal or soften their utility. All of the above traits are accentuated if the finger of Jupiter is long as well.

An underdeveloped mount of Jupiter will bring a lack of confidence and drive resulting from feelings of inferiority, and as such, the bearer may be easily manipulated, trusting not their own leadership instincts, but those of others who are more assertive. They will also lack drive and wallow in idleness.

Marks:

• At times, there is a ring around the base of the finger of Jupiter. Unlike the ring of Saturn, this ring is almost always a positive sign. It is known as the Ring of Solomon, and typifies a rejection of the world and material values, coupled with heightened spirituality. However, if the mount of Saturn be largely developed, this combination could result in religious zealotry. Many, however, do not have the complete ring, though they still possess some of the ring's characteristics: they are not as interested in money and possess a keen and insatiable philosophical mind.
• Transverse lines on the mount will weaken both ambition and confidence.
• Vertical lines on the mount will enhance its positive qualities. If there be many, however, the bearer runs the risk of being divided in purpose and hence will be unsuccessful.
• A grille on the mount of Jupiter serves to dissipate the benevolent qualities of the mount, leaving only the lusty hunger for power and indefatigable ego in its wake. This, the Greeks called hubris, a great pride that was the undoing of the protagonist in the end.
• A cross on the mount of Jupiter is also an uncharacteristically good sign, as it portends a successful and happy marriage.
• A star on the mount will bring many successful and distinctive people into the social sphere of the bearer, yet without further signs collaborating success, that is the extent of their success: to have known the kings but not to be one.
• An island is never a sign of benevolence. In this case, it represents an "ambitious career, ruined by the mad actions of a relative or close friend.
• A square will protect the bearer from growing overly ambitious.
• A spot is a symbol of ruined position and a loss of fortune and reputation.
• Little information could be found on the meaning of the very rare occurrence of a circle on the mount of Jupiter. The only reference to such a marking was from Comte C. de Saint-Germain, who reported it was a sign of "great success.
• A triangle denotes success as a supervisor and handling of every-day affairs. These qualities are owed to the mount because it brings with it a great sense of tact and diplomacy. It also portends a mature mind, honesty, and an upright nature.

The mount of Saturn is a measure of one's soberness and studiousness. Those with well-developed mounts can be expected to enjoy solitude and possess prudence and patience in their expectations and actions. Where the mount of Venus contributes to one's social virtues, the mount of Saturn is unconcerned with society, and one may expect an asocial nature from one who possesses a very strongly developed mount. Its meaning is greatly intertwined with the line of fate, which is primarily concerned with one's course in life: their career, business, direction, and drive.

If overdeveloped, this can lead to a large degree of morbidity, inner disquiet, unhappiness, miserliness, and misanthropy. Unfortunately, the studious, critical nature of the individual may be over-emphasized and result in pessimism, suspiciousness, and paranoia. If coupled with a full mount of the moon and a sloping line of head, there exists a penchant for suicidal tendencies.

If underdeveloped, The bearer possesses low vitality, little confidence, a low degree of self-control, and is easily influenced. They will tend not to treat matters as seriously as should be necessary. Henry Frith goes as far to declare such a hand the grim token of a "wasted existence."

Markings:

• Vertical lines strenghten the mount, though as was the situation with the Mount of the Sun, more than 3 vertical lines can denote failure in life as a result of an unspecialized career.
• Transverse lines weaken the munificent qualities of the mount, subtracting from the clear drive and concentrative powers typically bestowed by a positive mark.
• The ring of Saturn is a disastrous mark that will betide no end of woe to its bearer. It encircles the finger at the base of the mount, and in doing so, it essentially cuts them off from any benefits that the mount of Saturn may bear. Their attempts toward stability and fruition will continually be thwarted. O, they may possess lofty plans and ideals to effect throughout their life, but their extreme fecklessness and irresponsibility will forever dash these aspirations.
• A grid denotes depression and lucklessness. If collaborating signs are present, this may also importune imprisonment.
• A cross denotes a disaster in business, and occasionally a fatal accident. The latter must only be interpreted as such when collaborated with other lines on the hand (cf. line of head, line of life). It may also denote a sort of melancholy mysticism.
• As always, the star denotes brilliance, but in this case, it is a destructive conflagration. One who possesses a star on their mount of Saturn will meet a terrible death, which will indeed bring them distinction, but from beyond the grave. NB: If this sign exists in conjunction with a deep fateline that furrows deep into the finger of Saturn itself, it portends assassination.
• The square on the mount of Saturn will protect its owner from random fatalities that so frequent life.
• A triangle will bless the bearer with a talent and predeliction for occultism and mysticism.
  
   

Where one finds Apollo, one finds fame, self-actualization, and the arts. It also signifies the charisma of the bearer, owed to an intuitive understanding of others. An Apollonian possesses a vivacious affection for those he loves, but this sort of love is neither amorous nor sensual; it being instead a desire for synergy and empathy with the beauty he witnesses. The bearer possesses a divine enthusiasm for all that is beautiful and artistic, be it imaginative poetry, sweeping symphonies, or merely susurrant plaints from grass bowing to a breeze. Do not, however, equivocate a love for the arts with a talent for the arts. For the bearer to possess both traits, look to the mount of luna and the line of the head for confimation.

If the mount be overdeveloped, the wearer will exhibit snobbery, selfishness, vanity, foppishness, and artistic egotism. As they long for public recognition, they are often overly credulous when praised and may fall prey to flatterers. Those who show off will possess an equally aggrandized mount of Apollo.

An underdeveloped mount denotes poor intuition, lack of interest in the arts, and less of an exhibition of flash and drama. They will possess a nondescript demeanor, and their life will exhibit little but the monotony their drab existence creates. These dullards will be content with less cerebral pursuits, accustomed to their creature comforts and material gains.

Marks:

• Horizontal lines, as would be expected, weaken the positive qualities of the mount. If the bearer has a great many such lines, expect their love for beauty to degenerate into vanity and narcissism, selfishness and self-delusion.
• Though vertical lines on a mount are typically a good sign, more than 3 is typically an ill omen, as it reveals the bearer is involved in too many pursuits, and when one's devotion is spread so thin, success is unlikely to be achieved in any of the activities. Comte de saint-Germain claims that a pair of vertical lines portend conflicting interests, but this author must warn the reader to use caution with such a prediction; it should be collaborated with other marks, such as a double line of fate.
• A grid denotes a great yearning for success that shall forever remain unrequited, coupled with a magnified perception of one's own ability.
• A cross means failure to achieve one's ambitions, though it may not be accompanied by the fierce desire conveyed by a grid.
• A star on the mount is a sign of fame and riches; however, this success in the public sphere may be so great as to encroach and overrun the individual's private life. Thus, the star can be a mixed blessing. For more on the ambivalent dynamism on the star, cf. Individual Markings on the Hand.
• A square is a symbol of protection from the ill qualities of the mount, and more specifically, a safeguard from being exploited or intoxicated due to the enchanting vapors of success
• A spot is an ill harbinger of a fallen reputation and social standing.
• A circle is a rare marking indeed, and little information could be found about it, save that it is a messenger of much fame.
• A triangle denotes mental astuteness, and talent for utilizing art towards great success and recognition. It is similar to the star in meaning, yet it is saved from the perils of unbearable and unnatural success. Those possessing a triangle on the mount of Apollo will not attain the astronomical heights of stardom portended by the star, but will be considerably more sane, and ultimately more content.

The Mount of mercury betokens great mental acuteness, an alacrity of wit; a love of change, novelty, and adventure; and a flair for science and critical thought. This is the mount of salesmen, doctors, actors, scientists, lawyers, and, unfortunately, con men and grifters. Their dexterity of wit and staggering resilience belie their great talent in eloquence and tact, and thus denotes an individual capable of great acts of diplomacy. And unlike the idealistic Mount of Jupiter, the introspective mount of Saturn and the artistic and effervescent mount of the Sun, the mount of Mercury signifies the practical application of one's intuitive abilities.

If it be overdeveloped, the bearer will want of morality and instead implement their blessings for perfidious means. They will abuse their verbal dexterity and wield their unctuous nature for selfish gains, as are evident in a swindler or a charlatan.(90) The individual may also be rife with the vices of alchohol and drugs, though this should be collaborated with the mount of Venus.(107) If coupled with short fingers, the bearer will suffer fits of impulsiveness and bitter temper.

If underdeveloped, the mounts denote a dullard lacking both enthusiasm and charisma. Powers of communication are clumsy and inelegant, and talent for business, science, and literature is poor. If the mount be completely lacking, the individual possesses no sense of humor.

Marks:

• Horizontal lines weaken the benificent qualities of the mount. The bearer of such lines will experience anxiety, uncertainty, and an inability to cope with difficult situations.
• Vertical lines strengthen the mount, though too many can signify a dissipation of talent into ventures too numerous for the bearer to manage. Many sources list these lines as signifying great talent in the field of medicine.
• A grille emphasizes the malevolent powers of the mount; thus such a marking gives insight to the bearer's dishonesty and instability. Comte C. de Saint-Germain goes further to declare the grille an omen of death due to a swindle that has backfired.
• A cross is a poor sign, denoting dishonesty and unscrupulousness. At the very least, it denotes an individual who unconsiously manipulates others.
• A star portends a great and sudden flourish in business, law, or science. Whether this talent is to any avail, however, remains in question.
• A square will protect the bearer from pecuniary misfortunes.
• A spot denotes a failure in business.
• No note of the meaning of a circle could be found in the author's texts, save for one dire prediction: the bearer of this mark will die a death by poisoning.
• A triangle brings its owner great intellectual talent, much in the order of a star, but to less of an extent. It will not merit the fame that the star may provide, but it does not carry with it a promise of calamity as well. Those who bear a triangle as opposed to a star are thrice blessed.
  
   

The mount of Luna is a symbol for external influences on one's life, and the "inner way in which we deal with the outer world". Lines that stream from this mount are in concordance with travel and strangers who affect our lives. It is the hallmark of inspiration, dreams, occultism, creativity, and ideality. As a result of this, the mount of Luna indicates the creative output of an individual. They are lovers of journeys, especially regarding the sea. A well-developed mount of Luna with no conflicting marks will designate the bearer as one who rides the currents of imagination, who captures the beauty of its waters with poetry, prose, art, and other abstract and synaesthetic media. These are the dreamers, the romancers, whose headiness is amplified further with long, slender, and tapered hands.

All that the archetype of the moon and femininity provides us, we may find in the mount of Luna. Darkness, mysteriousness, water, intuition, coldness, occultism. Let these primal symbols be your guide as you chart the expanses of the palm.

NB: If there be a large bulge near the bottom of the palm, the subject possess a more sensual imagination, fired by contact with external stimuli and sensations. If the bulge be at the top, nearer the mount of upper Mars, the imagination is more intuitive and internalized.

If overdeveloped, the bearer may have difficulty in differentiating their world with reality, or they, in their deference to their dream world, will withdraw from reality themselves. They have a propensity for excessiveness in spirituality and love of beauty. They are anxious and uneasy as the result of their hyperstimulated imaginative faculties. They are subject to delusion, and may deceive others quite unwittingly as they are drawn into their fantasies. It is no coincidence that there exists the term If the mount be underdeveloped, the bearer lacks enthusiasm and imagination. This want of imagination makes it difficult to conceive the point of view of another person. A flat, white mount betokens an utter dearth of imagination, coupled with bleak and bitter pessimism.

Markings

• Horizontal lines usually enervate the mount, but if found on the lower portion of the mount, assume especial purpose. These are travel lines, indicating journeys that typically traverse the seas. The longer and more ingrained the line, the more lengthy and important the journey is, respectively. A line which is crossed, broken, or islanded betokens unpleasant journeys Too many of these lines indicate a restless nature.
• Vertical lines increase the imaginative intellect of an individual, but their plentitude may warrant derangement.
• A mesh is a sign of melancholia and constant worry.
• A cross is an omen of superstition and dreaminess, the latter of which could result in self-deception.
• The star is an ill omen indeed. Though it brings with it imagination that may very well meet with great acclaim, the bearer themselves will be too senseless and deranged to enjoy the fruits of their own brilliance. Older texts often attribute the star to death by drowning--interpret this with great caution and pronounce it only when accompanied by other clear signs of death.
• The square, as always, is a symbol of protection. Placed upon the mount of a highly creative individual, this mark will fortify the boundaries between reality and imagination so that they may never be shattered.
• The spot is a dark blemish upon the intellect, foreboding a disease of the nervous system eventuating to hysteria or senseless madness.
• The triangle provides one wisdom in the use of their imaginative faculties. The bearer of this mark will be able to harness their creative potential without succumbing to insanity.

 

The presence of Mars is observed in three sections of the hand: There is the mount of lower Mars, which lies just above the mount of Venus and is typically enclosed by the lifeline. It often is of a slightly more pinkish taint than its surrounding areas. The mount of upper Mars lies above the mount of Luna and below the line of heart on the percussion of the hand. It is integrated more thoroughly with the mount of Luna, but closer examination should reveal a slight bulge where the mount of Luna should be tapering. Between the two lies the plain of Mars, the smooth expanse in the center of the hand. It is interesting though not terribly edifying to note that the plain of Mars is marked with a large 'M', the 'M' being composed of the lines of heart, fate, head, and life.

 

The Mount of Lower Mars

The mount of lower Mars ordains the active manifestation of an individual's energies: It is the martial spirit enthusiasm, aggressiveness, strength and power. This mount is the mark of a pugilist, a soldier, and on occasions, a bluffer.

If overdeveloped, the individual is hotheaded and eager to either start fights or join the fracas. They are forceful, quarrelsome, and selfish, and indulge in the more base pleasures of eating, drinking, and when collaborated by the mount of Venus, a propensity for sinful designs pertaining to the opposite sex, which need not be discussed here.

If underdeveloped, the bearer will be spineless. They will possess poor confidence, they will be withdrawn and uncertain, and they will have difficulty motivating themselves.

Markings

Few details could be found on markings for the lower mount of Mars, though there were considerably more entries regarding its counterpart, the upper mount of Mars. Should the reader encounter a mark upon the mount of lower Mars that is not explained below, they should interpret it by method of its generalized meaning, as laid out in Individual Markings on the Hand.

• If the individual have a star on the mount that lies on a horizontal line, it portends death for the person to whom the line refers. This is known as a line of influence, and shall be discussed more thoroughly in correspondence with the line of Life.
• If there be a spot on the mount, the bearer may withstand a great deal of physical pain.

The Mount of Upper Mars

The mount of upper Mars, in opposition with lower Mars, exhibits the degree of passive courage and self-control an individual has. Those with a well-developed mount may not necessarily lash out against what is wrong, but they will be no lackey to it. It is the mark of persistence and the power of resistance.

If the mount be overdeveloped, the bearer will exhibit stubborn, mulish qualities. They will adhere to particular philosophies beyond all rationale, and will be unwilling to compromise.

If the mount be underdeveloped, the bearer will lack persistence and surrender with shameful ease.

NB: If one or both of these mounts are deficient on the hand, it may give rise to suppressed sentiments and bottled-up feelings due to the individual's inability to effect their passions.

Markings

• Horizontal lines always serve to weaken the mount, but their position on the outside of the hand may be interpreted as enemies.
• Vertical lines accentuate the positive qualities of the mount, bringing forth a resilient and righteous disposition towards evil.
• A grille represents the cancellation of the positive energies of the mount.
• A cross is a dire sign of a quarrelsome disposition, and through this it comes to represent enemies.
• A star is a conflagration of one's ire and ideals. True to the spirit of Mars, it is resolved in conflict, often with a bitter end. Beware the star on the mount of lower Mars, for it betokens homicide.
• The square is a symptom of a great rage being held in check by reason.
• The spot signifies a wound in a fight.

The Plain of Mars

The plain of Mars is a simple topographical feature of the hand, denoting how quickly the passions may be stirred in an individual. These "passions" are often manifested as anger, due to the fact that this feature belongs to Mars, but it may also stand for general excitement and enthusiasm.

If the plain be be overdeveloped, that is, the center of the palm bulges outward or is excessively fleshy, the bearer may be greatly high strung, encroaching upon hysteria. They are a simple matter to provoke and rouse to anger, for they more readily hang their emotions on dealings in life. If the plain be underdeveloped, the bearer possesses un unlucky, hollow palm. Not only are these individuals lacking in enthusiasm, they shall succeed in draining the vivaciousness of others when in their company. They lack the sparks that define a scintillating and vibrant personality.

Markings

As with the mount of upper Mars, few references to markings upon the plain of Mars could be found.

• Horizontal lines, the grille, the cross, and the star all stoke the inflammable nature of the subject.
• A circle upon the mount signifies a wound to the eye.

The presence of Mars is observed in three sections of the hand: There is the mount of lower Mars, which lies just above the mount of Venus and is typically enclosed by the lifeline. It often is of a slightly more pinkish taint than its surrounding areas. The mount of upper Mars lies above the mount of Luna and below the line of heart on the percussion of the hand. It is integrated more thoroughly with the mount of Luna, but closer examination should reveal a slight bulge where the mount of Luna should be tapering. Between the two lies the plain of Mars, the smooth expanse in the center of the hand. It is interesting though not terribly edifying to note that the plain of Mars is marked with a large 'M', the 'M' being composed of the lines of heart, fate, head, and life.

The Mount of Lower Mars

The mount of lower Mars ordains the active manifestation of an individual's energies: It is the martial spirit, enthusiasm, aggressiveness, strength and power. This mount is the mark of a pugilist, a soldier, and on occasions, a bluffer.

If overdeveloped, the individual is hotheaded and eager to either start fights or join the fracas. They are forceful, quarrelsome, and selfish, and indulge in the more base pleasures of eating, drinking, and when collaborated by the mount of Venus, a propensity for sinful designs pertaining to the opposite sex, which need not be discussed here.

If underdeveloped, the bearer will be spineless. They will possess poor confidence, they will be withdrawn and uncertain, and they will have difficulty motivating themselves

Markings

Few details could be found on markings for the lower mount of Mars, though there were considerably more entries regarding its counterpart, the upper mount of Mars. Should the reader encounter a mark upon the mount of lower Mars that is not explained below, they should interpret it by method of its generalized meaning, as laid out in Individual Markings on the Hand.

• If the individual have a star on the mount that lies on a horizontal line, it portends death for the person to whom the line refers. This is known as a line of influence, and shall be discussed more thoroughly in correspondence with the line of Life.
• If there be a spot on the mount, the bearer may withstand a great deal of physical pain.

 

The Mount of Upper Mars

The mount of upper Mars, in opposition with lower Mars, exhibits the degree of passive courage and self-control an individual has. Those with a well-developed mount may not necessarily lash out against what is wrong, but they will be no lackey to it. It is the mark of persistence and the power of resistance.

If the mount be overdeveloped, the bearer will exhibit stubborn, mulish qualities. They will adhere to particular philosophies beyond all rationale, and will be unwilling to compromise.

If the mount be underdeveloped, the bearer will lack persistence and surrender with shameful ease.

NB: If one or both of these mounts are deficient on the hand, it may give rise to suppressed sentiments and bottled-up feelings due to the individual's inability to effect their passions.

Markings

• Horizontal lines always serve to weaken the mount, but their position on the outside of the hand may be interpreted as enemies.
• Vertical lines accentuate the positive qualities of the mount, bringing forth a resilient and righteous disposition towards evil.
• A grille represents the cancellation of the positive energies of the mount.
• A cross is a dire sign of a quarrelsome disposition, and through this it comes to represent enemies.
• A star is a conflagration of one's ire and ideals. True to the spirit of Mars, it is resolved in conflict, often with a bitter end. Beware the star on the mount of lower Mars, for it betokens homicide.
• The square is a symptom of a great rage being held in check by reason.
• The spot signifies a wound in a fight.

The Plain of Mars

The plain of Mars is a simple topographical feature of the hand, denoting how quickly the passions may be stirred in an individual. These "passions" are often manifested as anger, due to the fact that this feature belongs to Mars, but it may also stand for general excitement and enthusiasm.

If the plain be be overdeveloped, that is, the center of the palm bulges outward or is excessively fleshy, the bearer may be greatly high strung, encroaching upon hysteria. They are a simple matter to provoke and rouse to anger, for they more readily hang their emotions on dealings in life. If the plain be underdeveloped, the bearer possesses un unlucky, hollow palm. Not only are these individuals lacking in enthusiasm, they shall succeed in draining the vivaciousness of others when in their company. They lack the sparks that define a scintillating and vibrant personality.

Markings

As with the mount of upper Mars, few references to markings upon the plain of Mars could be found.

• Horizontal lines, the grille, the cross, and the star all stoke the inflammable nature of the subject.
• A circle upon the mount signifies a wound to the eye.

The mount of Pluto is not typically documented in most palmistry texts, and in all truth of the matter, was only encountered in one text. However, though its historical precedent may not exist, the reader may find its curious portent of interest.

The mount of Pluto can be found at the base of the wrist directly beneath the mount of the moon, if it at all exists. Its presence signifies wisdom, and the bearers of such a mount will often serve as mentors and be a trusted and dependable source for temperate advice.

Kundalini    Black Magic   Reiki   Hindu Temple   Feng shui   Mantra   Tantra   Yantra    Puja   Palmistry   Dream  Analysis   Intuitions   Kamasutra    Vedas   Rudraksh   Sextherapy   Spiritual healing    Pranayama   12 Jyotir Ling   Religion   Tratak Therapy   Astral Projection    Guru   Chakra   Asana   Sanatana Dharma   Karma Yoga   Astrology   Mahabharata    Shaktipith   Mystery  of Shakti   Ayurveda   Navgraha sloka   Ramayana   16 Sanakara