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The
Diksha
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The
Diksha must be performed by anyone who is preparing the soma sacrifice. The
Rig-Veda seems to know nothing of the diksha, but it is documented in the
Atharva-Veda. Here the brahmacarin- that is, the novice undergoing the
initiatory puberty rite-is called the dikshita, 'he who practices the
diksha.' Herman Lommel has rightly emphasized the importance of this passage
(Atharva-Veda, XI, 5, 6); the novice is homologized with one in the
course of being reborn to make himself worthy to perform the soma sacrifice. For
this sacrifice implies a preliminary sanctification of the sacrificer-and to
obtain it be undergoes a return to the womb. The texts are perfectly clear.
According to the Aitareya Brahmana (1,3; 'Him to whom they give the diksha, the
priests make into an embryo again. They sprinkle him with water; the water is
man's sperm. . . . They conduct him to the special shed; the special shed is the
womb of the dikshita; thus they make him enter the womb that befits him. . . .
They cover him with a garment; the garment is the caul. . . . Above that they
put the black antelope skin; verily the placenta is above the caul. . . . He
closes his hands; verily the embryo has its hands closed so long as it is
within, the child is born with closed hands. . . . He casts off the black
antelope skin to enter the final bath; therefore embryos come into the world
with the placenta cast off. He keeps on his garment to enter it and therefore a
child is born with a caul upon it.'
The
parallel texts emphasize the embryological and obstetrical character of the rite
with plentiful imagery. 'The dikshita is an embryo, his garment is the caul,'
and so on, says the Taittiriya Samhita (1, 3, 2.). The same work (VI,2,
5, 5) also repeats the image of the dikshita-embryo, completed by that of
the hut assimilated to the womb-an extremely ancient and widespread image; when
the dikshita comes out of the hut, he is like the embryo emerging from the womb.
The Maitraiyatni- Samhita (III, 6,Ii) says that initiate leaves this
world and 'is born into the world of the Gods'; the cabin is the womb for the
dikshita, the antelope skin the placenta. The reason for this return to the womb
is emphasized more than once. 'In truth man is unborn. It is through sacrifice
that he is born' (III, 6, 7). And it is stressed that man's true birth is
spiritual: 'The dikshita is semen,' the Maitrarayanit-Samhita adds (III,
6, l) that is, in order to reach the spiritual state that will enable him to be
reborn among the Gods, the dikshita must symbolically become what he has been
from the beginning. He abolishes his biological existence, the years of his
human life that have already passed, in order to return to a situation that is
at once embryonic and primordial; be 'goes back' to the state of semen, that is,
of pure virtuality.